TCITCW duet

October 19, 2005
@ the EVENTS CENTER, bedstuy, Brooklyn
performed by:
Biba Bell
Gelsey Bell
choreography:
Biba Bell
text:
Gelsey Bell
music:
Suicide, Mick Turner, Mooney Suzuki
TCITCW duet
is a development of TCITCW solo,
previously performed in SF.
TCITCW duet
was performed for the AUNTS
FALL BASH#2,
a free dance & performance series
curated/hosted by AUNTS
Jbird Leary and Rebecca
Brooks.
TCITCW duet
has many small dances
inside of it and three main parts.
There is the bicycle dance
which is especially interesting
and fun to do
for a long time.
It is made to dance like a 10 speed roadbike.
Biba takes the time
to enjoy these dances.
Gelsey watches the camera,
joins Biba some, then does
one long repetitive dance of taking
9 cans of stewed tomatoes
out to the sidewalk curb to dump out later on.
TCITCW duet
includes a monologue
in which Gelsey
is telling the dream of Biba
and at the same time talking to Biba.
In this monologue
Gelsey is a mermaid
that is trapped in the arctic
and becomes a polar bear
to compensate for the extreme cold.
But the person that Gelsey is with
(is it Biba?)
(or is this Biba's dream?)
is instantly afraid
of this sudden transformation
into a polar bear, and
runs away and
Gelsey must run after them
and then she wakes Biba up
who is at this point already
thrashing around
with her blindfold.
Gelsey is locked outside on
Nostrand Avenue
and Biba runs out to get her.
TCITCW duet
was performed here
on Biba's birthday,
it had birthday elements
including streamers and a game
where one person falls and is dead
and the streamers
are thrown all over them,
then they get up and it's
the other person's turn.
... there is no movement that is not infinite [...] the movement of the infinite can occur only by means of affect, passion, love, in a becoming that is the girl, but without reference to any kind of 'mediation' [...] movement as such eludes any mediating perception because it is already effectuated at every moment, and the dancer or lover finds him- or herself already 'awake and walking' the second he or she falls down, and even the instant he or she leaps. Movement, like the girl as a fugitive being, cannot be perceived."
~ Gilles Deleuze and Felix Guattari, "Becoming-Intense, Becoming-Animal, Becoming-Imperceptible," a Thousand Plateaus

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